Snaily's back! PLUS exhibition & residency NEWS!

"Into the Unknown" Toni Hartill 2023

And, just like that, another snail image has evolved! 

(Well, not really "just like that."
There are a fair few hours of hard graft involved, 
but so very enjoyable to bring this image to life.)

And, as in the earlier images, where the narrative has been 
semi-autobiographical, 
this one is perhaps the most personal so far.

Perhaps it might resonate with you?

SCROLL DOWN
for news of my coming 
SOLO EXHIBITION & ARTIST'S RESIDENCY!

Where the snail tales began!

My first snail image was created as an etching in 2020 
for an exhibition Taonga o te Ngahere - Treasure of the Forest. 
I was inspired to include the endangered kauri snail, pupurangi, 
and the mighty Kauri tree - 
both taonga only found in the north of Aotearoa, NZ.

"Kauri Snail" Toni Hartill 2020
Aluminium etched with copper sulphate
Plate size: A5
Paper size: A4

From this small image I was curious to consider the challenge 

of recreating the image as the largest possible etching 

I could create in my home studio, thus including a lot more detail. 

"Home as a Sanctuary"

This work was created soon after our initial full lockdown 

in 2020, due to the covid pandemic. 

As mentioned in an earlier post, snails seem to have become a totem creature for me 

and I was inspired to attempt to use the kauri snail as a means to gather and convey 

my thoughts at this perilous time. Returning to our family, our homes, 

our physical and spiritual place of belonging, to a place we felt most safe, 

very quickly we seemed to accept that our “worlds” would need to shrink 

back to include our own “back yard", our sanctuary.

"Home as a Sanctuary" Toni Hartill 2020

Aluminium etched with copper sulphate

Plate size: 300mm x 585mm

"Stick to your Bubble"

As we went into a nationwide lockdown, a call went out 
from printmaker Celia Walker, to participate in a print exchange 
inspired by our experiences in isolation and so, this linocut came into being 
to reflect the message of the time, "Stick to your bubble!"

"Stick to your Bubble" Toni Hartill 2020
Linocut SOLD OUT

"A Cautious Reopening"

Inspired by the experience of being in an extended lockdown from August til December 2021, during the Covid-19 pandemic, this linocut was created to express my (and others') cautiousness towards the stepped reopening of our bubbles. 

I'm the timid one still inside the jar...

"A Cautious Reopening" Toni Hartill 2021
Linocut
Paper size: A4
Available to purchase from ONLINE SHOP

"P is for Pupurangi"

This image was created for the 

PCANZ collaborative bestiary book project in 2022.

"P is for Pupurangi" Toni Hartill 2022
Linocut

And so.... 

Into the Unknown!

"Into the Unknown" Toni Hartill 2023
Linocut
Image size: approx A4 210 x 297cm
Paper size: A3 297 x 420 cm

In this latest image Snaily is off on her travels alone! 

Out of her jar and away from her bubble!

In the distance is the iconic cone of  Taranaki Maunga 

- a long way from home for a little northland snail!

"Into the Unknown" detail Toni Hartill

It's about summoning the courage to sometimes 

step outside of your comfort zone and to seek 

new horizons, challenges or adventures, 

not really knowing what lies ahead.

It's also about striking out on your own

to try something new, without your usual 

support of family, friends or colleagues.

Sometimes we need to forge our own path, 

to go it alone, 

to discover where we are going next and 

to appreciate where we've been 

or what we've achieved.

SOLO EXHIBITION 

& 

ARTIST'S RESIDENCY

Photo credit: from out of the blue studio gallery

Inspiration!

Early last year I received an invitation, literally from out of the blue, 

from Viv Davy to have a solo exhibition and residency at her beautiful gallery

from out of the blue studio gallery 

Opunake, Taranaki, NZ. 

Nov 9TH -Dec 17TH, 2023

This was an opportunity 

to step out of my comfort zone 

and into the unknown!

Firsts!

This opportunity is an absolute first for me in so many ways, 

personally and for my arts practice.

For starters, I've never been to Opunake. 

I didn't even know where it was! Do you?

I've never been invited to exhibit solo.

And this is the first time I've prepared a special body of work for a solo. 

My first-ever solo, last year, was actually a retrospective 

of my artist books created over 5 - 6 years.

 

Working towards this show has been a huge 

and somewhat daunting undertaking, 

requiring me to create a, mostly, whole new body of work 

in less than a year. 

Taradise - artists' residency and accommodation

Residency!

I've long dreamed of doing a residency!

 To have the opportunity of spending a decent length of time 

in a far-away place, 

(far away enough not to just pop home at the weekends) 

immersed in the environment, 

is beyond exciting. 

Bucket-list stuff!

I've also never left my family to spend more than a few days away.

 

To spend it working on my art is ...!!!

(You may have heard mention of this gallery in earlier posts: 

I was involved in a group show, The Beach, 

last summer, and was due to visit at the end of January 

when we were hit by the Anniversary Weekend floods!)

Recent Visit

My freakout-ometer had been quavering between 

through-the-roof excitement 

and sheer terror.

To set my mind at ease and to help me prepare 

for the many aspects of this great adventure, 

including installation, talks, workshops, 

demos, and the residency,

hubby and I took a long weekend roadie down 

to Opunake to meet Viv and to make plans.

 

Now, I am through-the-roof EXCITED!!

"Into the Unknown" working drawing THartill

I created this image before I ventured down to Opunake,

conjuring up a well-trodden path, 

through lush NZ flora of ferns and flax,

purely from my imagination,

 

although with a tiny spark of inspiration 

from the well-known Charles Heaphy painting 

"Mount Egmont from the Southward" 

as seen here in The Big Picture by Hamish Keith.

"Mount Egmont from the Southward"
Charles Heaphy

I was amazed therefore to see aspects of the landscape emerge, 

a lot like my imagination had conjured!

"Into the Unknown" detail Toni Hartill

"Into the Unknown" detail Toni Hartill

The road, Mt Messenger.

"Into the Unknown" detail Toni Hartill

We circumnavigated the mountain however, 

not a peek did we get.

That's something more to look forward to!

I know you're in there Taranaki Maunga!

Editioning

I have hand printed 2 limited editions, 

each of just 10 lino prints.

Version 1 is a warm brown-black.

Version 2 is a deep blue-black.

Image size: A4

Paper Size: A3

Paper: Fabriano Rosapina 285gsm

Ink: Charbonnel Aquawash

Sales & Enquiries

You are welcome to contact me 

for any enquiries or to purchase.

NOW AVAILABLE 

in my ONLINE SHOP!

Prints can be picked up from me 

in Auckland or couriered. 

$135 NZD each

Free tracked Economy Courier within NZ only.

Rural delivery and Signature services are extra.

I will also take some with me to Opunake

in November.

If you would like to reserve a print, 

of either colour, blue-black or brown-black,

to pick up from me in Opunake

please message me to arrange.

My exhibition will be open to the public 

 Nov 9th - Dec 17th, 2023.

I will be in residence for this entire period of time 

and look forward to meeting and connecting with others 

in and around the Opunake, Taranaki region.

Please do come say Hi!

"Into the Unknown" editioning brown-black version Toni Hartill

"Into the Unknown" editioning blue-black version Toni Hartill

"Into the Unknown" editioning Toni Hartill

"Into the Unknown" editioning Toni Hartill

"Into the Unknown" two colourways Toni Hartill

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Photo credit: from out of the blue studio gallery

from out of the blue studio gallery

https://fromoutofthebluestudiogallery.com/

Thanks for visiting!

Topsy-turvy and off on a tangent!

"The Coach vs the Critic" 

Linocut

4 versions, various editions 

Paper size: A4 / 210mm w x 297mm h

Paper: Fabriano Rosapina, 285gsm

SCROLL DOWN to see the MAKING OF 
and the various colour VERSIONS.

& NOW LISTED in my ONLINE SHOP.

The creation of this print has been a bit of a stray from my usual style and/or theme. Understandably, perhaps, as a result of the sneaky peeks I've been sharing on Instagram, a few people have been interested to know: 

But, what's it for? 

& 

Why are you mixing up your usual style?

Well, quite simply, lockdown** has been hard! 

I've had quite a battle, losing my creativity for months, then struggling to get anything new started. Not that this problem is unique to lockdown, nor to just me, but it was certainly "doing my head in", as it often does.

One of the hardest stages of creating new work, I find, is THE STARTING.

I have no problem with generating ideas, in fact I often feel overwhelmed by floods of ideas.

The problem I have is that in the cold light of the next day, my inner critic storms on in, uninvited, and takes over the conversation:

"Well, that's a stupid idea!

That's not going to work!

Why would you bother?!

You'll probably cock it up anyway!"

Etc, etc, etc...

It can often be very noisy in the room

and I'm the only one in there!

For some reason, probably because of the isolation of lockdown, the opportunity for my Critic to get so loud was a perfect storm. I know I wasn't alone feeling like this when I connected with other creative friends. The idea of confronting my "nemesis" sprouted and I began working on a variety of different approaches to both wrestle back control from my Critic and as a means of taking a light-hearted, low-pressure approach to starting some new work. It was also an opportunity to challenge myself to upskill my carving techniques. For one, I had never carved faces or HANDS before.  

I also wanted to experiment with a more illustrative style with a view to possibly doing more illustration work. I always have ideas bubbling away that I'd love to illustrate yet it hasn't been my go-to approach and certainly not with my printmaking. 

I also think it's very easy to get stuck in a rut creating work that we think others expect us to make. And, although I have done some illustration work before, including drawing people, this was not part of my current, recent work. 

Every now and then I like to mix things up a little and do something unexpected, just to see where it takes me. And particularly when there's no pressure for it to be FOR anything - just because I want to give it a go, have a play. Besides, I'd hate to be predictable!

There were MANY prior variations and concepts for this work before this one stuck. My Critic often stuck her nose in and stopped me in my tracks so it was quite a process of self-doubt and self-talk to work my way through to an image I was happy, and "brave enough", to carve.

Finally, settling on this concept, the idea being that the image is like a playing card where the image can go either way up - topsy-turvy! My, perhaps slightly dubious idea, (only in that I've never seen it done before BUT don't see why NOT) is that the image could be framed and then hung either way up depending on how you are feeling! I imagine that a 2nd pair of D-rings would allow for this to be an easy switcheroo. Filling the image with symbolism was an excuse to include many quirky details and embellishments while also adding meaning for myself, and which might also resonate with others too.

The Inner Critic 

"The Coach vs the Critic" linocut by Toni Hartill

The Critic is armed, with an eraser at the ready, to delete any ideas before they can develop. Lopped and dying trees shed any new growth, and ideas blow away in the wind. Birds of prey take flight, storm clouds weigh heavy and sheets of rain fall on a dark forest, while barbed wire barricades the boundary. New creations (a paper boat) are tossed in a turbulent sea. The Critic's outfit is adorned with a highly toxic plant and the tall poppies, that dared to grow, have been snapped and chopped to stumpy stems.

The Inner Coach

"The Coach vs the Critic" linocut by Toni Hartill

The Coach, by contrast, is MUCH more chilled! She has a sharpened pencil at the ready and ideas take flight while the sun radiates warmth and nurtures new life. The kōtare / sacred kingfisher knows what to do and when to act, embracing the new and encourages you to follow your heart. A school of fish swims upwards and onwards reminding you to look ahead, not backwards. Now,  the poppies bloom and the native shrub, mahoe, is said to help ignite passions and guide us towards our destinies. A restless fantail flits in the updraft, always moving and curious, above a calm sea and a distant horizon. The Coach's outfit is embellished with the leaves of the kowhai, said to symbolize personal growth. 

The Making of

After many hours of sketching and researching I eventually arrived at this topsy-turvy design, inspired by a playing card, among other things. The design was transferred to the prepared lino then the fun of carving began. Although a lot of the detail was pre-planned, there are a lot of mark-making decisions made on-the-trot so it's exciting to see what will emerge as I carve away the black lino surface. I also strive to embrace the incidental carved marks as they evolve and be prepared to change tack if something unexpected shows promise. 

"The Coach vs the Critic" - the completed carved lino by Toni Hartill

"The Coach vs the Critic" - the completed carved lino by Toni Hartill

Printing

Always the most exciting part of creating a handmade print is test printing the lino block for the first time. At this stage you get to see how well the details print and whether you've managed to get the balance of dark and light quite right. You'll also get a good idea of how much cleaning up and editing needs to be done. Sometimes this can be a lengthy process of tweaking and refining but there wasn't too much that needed doing with this block. I'd obviously already been pretty pernickety as I carved each section.

I chose to print on Fabriano Rosapina, 285gsm as I love it's eggshell off-white colour and how it embosses so nicely when printing with lino.

Colours

As I often do, I had a preconceived idea of which colour I would print this image 

so I began by mixing a stormy grey-blue. 

To give a truer indication of each colour, as the photographs don't show the colours exactly as they appear, I have matched the dried ink colours to the nearest Resene Colourshop paint colours using actual paint charts, not online colours. Please note that the way that the colours appear on your computer monitor will ALSO vary depending on how your monitor is calibrated. This grey-blue colour most closely matches to the oddly named paint colour "Tax Break"! 

I then decided that I wanted to experiment with a range of colours to see if different versions might each radiate a different mood so next I mixed a colour which I would describe as raspberry. 

For some reason, whenever I print with red I love the effect but I rarely set out with the intention of being so bold! (The actual colour of this ink is most closely matched to Resene's "Paprika".)

For my next version I fancied going a bit deeper and richer in colour so mixed a rich plum colour. 

This colour most closely matches Resene's "Mulberry".

Finally, having a fossick around in my paper drawers I came across a lovely deep cream-coloured printmaking paper, very similar in weight to the Rosapina paper I was using. Printing onto a coloured paper added to the richness of the effect, again something I've not really explored before.

The Versions

"The Coach vs the Critic" Stormy blue / Version 1, Edition of 3.

"The Coach vs the Critic" Raspberry / Version 2, Edition of 4.

"The Coach vs the Critic" Plum / Version 3, Edition of 5.

"The Coach vs the Critic" Plum & Cream / Version 4, Edition of 3.

Signing

Unusually, because I have printed a number of colour variations of this image, and may yet print some others, I have decided to sign each colour as a separate edition and number them as versions, all with the same title. Because the image fills the paper, each print is only initialled on the front and signed fully on the back.

NOW listed in my ONLINE SHOP.

Very limited editions of each colour available.

FREE SHIPPING within NZ.

Pick-up in Auckland by arrangement.

It's been a lot of fun creating this image and I've certainly learnt some new tricks 

and explored some new territory. I look forward to taking some ideas further in future works... but perhaps only when you least expect it!

And, as for my Inner Critic, 

we're on better terms, 

at present...

Thanks for visiting!

Please note: I DO welcome your comments and feedback!

Today I discovered that I had been receiving comments from people for a couple of years (!!) but I was no longer getting the notifications so they were LOST in the ether! Hopefully, I have rectified that little glitch and I will respond to you in a timely manner. My sincere apologies to all those who never heard back from me. I thought it very odd that all had gone quiet. 

...........................

**Lockdown: Tāmaki Makaurau / Auckland, Aotearoa / New Zealand went into lockdown on August 17th, 2021 when the Delta variant of covid-19 arrived. Starting in Level 4, we remained in a strict level 3 lockdown for approximately 107 days when we finally began to open more fully due to high rates of vaccination. As I write this on the 14 Dec, 2021, the Auckland border remains closed and is due to open on Wed 15th Dec. It's been a long haul!