Showing posts with label Studio Printmakers. Show all posts
Showing posts with label Studio Printmakers. Show all posts

Wednesday, 24 April 2019

Final countdown to "Scattered" group show!



 

 Just ONE week to go til our group exhibition "Scattered" opens 
and I'm doing my last bit of faffing around planning my layout. To read earlier posts about preparations for this exhibition click here.


 All of my pieces are currently spread out across a surface the size of the wall space where I will be hanging them and each time I go past I seem to move a piece here, tweak a bit there, add in one more piece, take one away...  There are so many possible alternate combinations for laying out the work that this stage could actually go on forever - but, no, I'm very close to calling it a wrap and beginning to pack it all up ready for installation day on Monday... I think...







Celia's initial idea behind this exhibition was to provide an opportunity for the three of us to have something to work towards, together but also separately. Together in spirit, initial inspiration and mutual support but separate in that we each have our own ways of working and our own interests and ideas.



 






The title Scattered came about because we are now scattered geographically since Elle has moved away from Auckland - a good 5 hours drive away. We also wanted the show to include works that are scattered in format - not finished pieces of work but works in progress, encouraging us to be more experimental and exploratory in our approaches. Usually we would aim to produce refined and completed works for an exhibition, ready to present and sell to an audience. There are often works which show potential but aren't quite resolved, works that raise possibilities for new directions but that don't make the final cut to fit in with other works in a show or for a myriad of other reasons. In my experience, I have drawers full of partially resolved works that could lead somewhere else but which I never quite get back to.









Speaking for myself, my bit of wall space will be scattered with an array of my experiments and explorations into mark-making, materials and subject matter inspired initially by the shared quote, our starting point. I've used a wide range of printmaking techniques, but have also toyed with some stitching, collage, paper-cutting, paper folding, drawing and paint - some are more serious investigations, many are completely playful such as my mini-dioramas.














My resulting scattering will be a lot like my studio wall/ table/ floor when I'm developing new work, testing new ideas, trialing new techniques. There are lots of little combinations which could be considered resolved and which could be framed or just hung as they are in wee collections. There are other components which could easily lead off on new tangents to inspire new work...in fact, for those who have seen some of my other projects of late you will see familiar snippets - either ideas have been sown here and have morphed into projects of their own or other projects have inspired ideas for this project. Either way works for me and helps me avoid the dreaded "artist's block".

Celia and Elle have both approached the exhibition from their own viewpoints, also creating a scattering of works but with entirely different approaches to mine and to each other.  Makes for a really intriguing show which we hope our visitors will enjoy!







Image: Celia Walker, 2019


"Scattered"
Separated geographically, but connected through ideas, Scattered brings together artists Celia Walker, Elle Anderson and Toni Hartill with an expansive scattering of work that responds to ideas around shifting horizons, uncertain pathways and traveled landscapes. Individual works act as field notes, working drawings, partial renderings and snapshots, but operate together to form a group response to remembered places.

1 Ponsonby Road,
Auckland.
Opens Wednesday May 1st, 5pm. 

Please join us!


 View 2nd - 30th May, 2019.






Thanks for visiting!




Wednesday, 6 March 2019

"Scattered" - thoughts and ideas in progress.


Works in progress for "Scattered" by Toni Hartill


Another of this year's upcoming projects
is a group exhibition with artists
Celia Walker, Elle Anderson and myself.


"Scattered"

 Opens Wednesday May 1st at 5.30pm
Ponsonby, Auckland.


The inspiration for this show was to provide an opportunity for the three of us to exhibit together,
particularly now that we are scattered geographically by Elle's move away from Auckland. 

The exhibition will include a scattering of small works - works in progress and ideas in motion, partial renderings and snapshots, into our various ways of working. We began with a shared piece of text as a starting point for inspiring our thoughts and ideas, each in our own way.


This has been an opportunity to allow ourselves to "play" more freely without the need to be focused on end "products" but rather with a view to sharing some of our thoughts and processes that emerge along the way. I envisage my installation will be something of a glimpse into just how scattered my thoughts can be when I am working on a particular project with the wall space scattered, much as my studio becomes scattered, with a multitude of works in progress, revealing also the many tangents I might venture off on!






 
























As we approach our installation at the end of April
I will share some my progression of ideas and thoughts
and hope you will enjoy coming along to experience
our works up close.



Follow me on Instagram
for a more regular insight into my progress:

@tonihartillart

or visit me on facebook:
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Thanks for visiting!




Tuesday, 26 February 2019

"Forest has the Blues" - NZ Clematis Linocut




"NZ Clematis - Puawhananga" (detail)
Linocut by Toni Hartill


2019 has begun, for me, with a steady graft towards an array of upcoming deadlines.
One of the biggies for this year is an all-new-look presentation of the group show 
"Forest has the Blues"
- coming July, 2019 at the Steel Gallery, Franklin Arts Centre, Pukekohe.

Our team of artists are again collaborating towards this year's event which includes an even larger installation than last year's, in a completely different colour palette and style, plus a collection of exhibited works by each of the seven artists. This year we are also including 2 groups of students from 2 Auckland secondary schools: Pukekohe High School and Westlake Girls High School. 

To view previous posts about last year's "Forest has the Blues" exhibitions 
or click on the link in the right hand "Exhibitions" column.

I will write more about the kaupapa (purpose) of the project in coming blogs but for now I thought I'd share my progress thus far on a new large linocut I have created with the installation in mind.




 Last year I created a even larger linocut of the invasive weed the moth plant, complete with nasty ol' seed pods. I think, despite its invasive nastiness its a rather pretty plant with its grey green foliage and its unusual sculptural white flowers. However, we are not meant to admire it - we are meant to rip it from the earth and destroy any we see - pods, roots and all!

This year, for a complete contrast, I thought I'd move to the bright side and create one of my favourite native plants: the NZ Clematis. This plant likes to have its roots sheltered in the cool shade but reaches for the skies forming a lush display of starry white flowers above the canopy of the forest - a much more uplifting metaphor!





 



 As always, beginning a new project after a hiatus from using a particular technique, I feel the fear of failure looming over my shoulder. Carving an image  which will be read in just one colour does not come naturally to my brain and it takes quite a bit of psyching to be able to think in terms of positive/ negative, light/ dark, near/ far, etc. Anyway, best way forward, I find, is to begin with a detailed drawing, then simply dive on in and hope for the best! 





My greatest apprehension with trying to render a clematis flower was how to tackle the complicated centre structure. I began with some close up sketches to grasp the idea then experimented on some scrap lino til I was able to simplify the positive and negative areas in a way that still "read" correctly.






A super exciting moment is always proofing the lino for the first time. 
This is also a chance to stand back and view the image for a couple of days to contemplate if it all reads as I'd hoped or if any further carving is necessary. (I also worry that I could just as likely ruin it by making changes - this can be a bit of a stressful, dithering stage for me!)




" NZ Clematis - Puawhananga" (detail)
Linocut by Toni Hartill



 I was reasonably happy with the image at this point so I decided to "whip up" a small edition 
 in black (as it was looking quite striking, if I do say so myself... and before I risked ruining it!) 
By the way, I rarely use black in my work and actually this (like most of my work) was never intended to be printed in black.





Next step was to test it in pale blue as I had envisaged it for the installation.




Hoo-hoo, another of my favourite things to do
is to roll new ink onto a clean lino block!
Reminds me of those magic colouring books we had when I was a kid
- just add water and an image appeared - only this is much better, 100 fold!



Next task was to print multiples of the image in pale blue...





and then to cut them all out.



Lastly I need to decide on how they can be installed en masse 
by experimenting on my studio pin-board.







 Plenty of time to to let ideas percolate 
so in the meantime they are quite happily
blooming on my wall.




Cleaned Clematis lino block - by Toni Hartill.





Updates on further progress
towards 
"Forest has the Blues" 
to come
 so watch this space.

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Thanks for visiting!