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| House Boxes by Toni Hartill |
"Found"
was to be a group exhibition featuring explorative and experimental
works by
Celia Walker, Elle Anderson and myself, Toni Hartill.
Plans for the exhibition,
to be held in June 2020 at
Studio One Toi Tu, went awry as a result of the Covid-19
pandemic. The country was placed in full "lockdown" on March 27th and
all council facilities were closed. Although lockdown restrictions were
gradually lifted as a result of the country's "team of 5
million" doing such a great job at eliminating the virus from our
shores, the gallery wasn't able to be opened in time for our show to take
place. Instead, Studio One Toi Tu has kindly offered to share some of our work on
their social media platforms. So, welcome to my blog, if this has brought you here for the first time.
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| House Boxes by Toni Hartill |
In this post I will take you through my thought processes and share some of my
experimental explorations that went in to creating what turned out to be quite
an extensive and unexpected body of work.
Printmaking is my most usual medium but I am also very interested in
artist's books as a means of expression.
This project tapped into my interest in folded and manipulated structures and provided lots of inspiration and discoveries that I would like to take further in my work. Visit my
Gallery tab (toolbar above) to see examples of my printmaking or my
Artists Book tab to see ways I am exploring this genre.
To view just the images in a post click on any image.
You will then be able to scroll through them like a slideshow.
The
concept for the exhibition "Found", was dreamt up by Celia Walker
long before covid was even heard of and came about as a result of the work
Celia, Elle and I had created for our group show
"Scattered", held at
Studio One Toi Tu in May last year.
Spookily
the concept for this exhibition was perfectly aligned for work that could be
created under "lockdown" conditions so there was no need to rewrite
the statement:
Statement:
"Found is an examination of nearby places by
artists Elle Anderson, Celia Walker and Toni Hartill.
Their works will explore the 'unofficial countryside'
of the familiar/unfamiliar that is often unnoticed or overlooked, the
antithesis of the drama of faraway places.
With an emphasis on using found materials, the show
encourages resilience and resourcefulness, working with what is to hand in both
materials and outlook."
Is this what a Residency is like?
Being required to
"Stay home, save lives" and restricted to only essential trips to the
supermarket or pharmacy, or for exercise close to home, suddenly my
"unofficial countryside" became constrained within the boundaries of
my home and garden. I found myself looking closer and literally searching for
the interesting vistas and aspects of a place I am only too familiar with,
having lived in this property since 1993.
Before I knew it I
had begun creating quite a sizeable collection of works. It dawned on me that this way of working
"with what is to hand in both materials and outlook" felt very much
as if I was doing a residency… albeit in my own residence. This in itself has
been an interesting experience having never actually done a residency but highly aspiring to the possibility of doing
one, one day.
Being Resourceful.
Another aspect of
the "lockdown" was that all businesses had to close. And yes, that
meant art supplies shops too. I had stocked up on food and medicine items but
had not thought to replenish my ink and paper supplies. I therefore had the "terrifying"
realisation that, while printing some editions of new etchings, I was very near
to running out of ink!! I had intended that my work would be a combination of my printmaking with collaged and assembled pieces, requiring a good supply of ink. Hmmm... I had to think carefully about what I was going to
create for this exhibition. It made sense to use what I had to hand which was
my phone (camera), access to my computer, colour printer and a supply of
suitable card.
Evening Walks in Lockdown
Early inspiration came as a result of daily evening walks around the neighbourhood. We were experiencing beautiful late summer weather and the night skies were stunning. I simply began experimenting with folded structures using combinations of my photographs.
Meander & Explosion Book Play
These meander book structures fold away into small boxes. I was thinking about how I would go out
for a daily walk around the neighbourhood, then retreat back to home, to the safety of my "box".
Explosion Book Structure
This structure explodes out of the box and can just as quickly disappear back into it.
A lot like how I was feeling at the time!
House and Garden
Naturally my attention turned to other things within my outlook - my house and my garden. I am pretty familiar (understatement) with every square centimetre of my home having lived here so long and having renovated, designed and helped build the extension and alterations and, as resident painter, painted every. single. surface. More than once. This exercise was almost as if seeing with new eyes... almost. I did reaffirm how fond I am of this home turf despite my love/hate relationship.
I began photographing aspects of home, looking for interesting details, patterns and features which I would then incorporate into more experimental structures, namely boxes. I was thinking about the experience of being boxed in and enclosed.
I focused on exterior details of my house for the outside of some boxes...
and combined these with quirky details for inside the box....
and with various combinations of details from the garden including
plants, paving, fences and hedges.
I was constantly thinking about inside vs outside,
looking inwards, looking outwards.
Feeling confined vs protected, restricted vs focused.
House Interior
From there I began photographing a myriad of details of the interior of my home and experimented with a variety of suitable structures including concertina folds. This was all a lot of fun, and a great distraction to what was going on in the "real world" and was a reminder of how much I enjoy dioramas and miniatures, and playing with paper.
I also dabbled with ways that the interior structures could be combined with the house boxes.
Oh this could have gone on in so many directions!
Gates
I spent quite some time prowling around my property looking for interesting details and different perspectives. Next in my sights was the gate into my front garden. I was thinking about how I was missing close contact with friends and family and what it would be like to welcome them into my home again.
Fence Structures
While exploring the garden for interesting aspects I was contemplating how the neighbours were coping. Our street had just set up a facebook page so we could all connect and for the first time, we were getting to know of each other a little. I began photographing the various fences, peeking through gaps and over and through hedges. Hmmm I wonder if my neighbours saw me skulking in the bushes? Might have looked a bit... weird.
Panorama Structures
As a result of peaking at and through fences, these next structures were created using the "Panorama" book structure from "The Art of the Fold" By
Hedi Kyle,
Ulla Warchol.
Initially coming to grips with how the structure works
led me on to cutting slots to peak through...
...to peer at what might be on the other side.
I was peeking at my own house, not into the neighbour's btw.
This more complicated structure, also using the Panorama structure,
tempts the viewer to peak and peer, this time from all angles.
I was contemplating human curiosity, at times like this, when we wonder what other people are doing, how they are "getting through", how they might be occupying their time... Or is that just me? I don't think my neighbours were lurking their hedges though.
Finally, Figures!
For a bit of fun I ventured into the idea of playing with figures that could also be folded away and that reflected the surroundings of the garden or perhaps merged in and disappeared. I had restarted my yoga practice with earnest during lockdown and perhaps this new found focus worked its way into my constructions.It also reminded me of my childhood love for paper dolls. Again, this idea could have been progressed on so many ways.
The uncertainty of lockdown.
As there was no certainty, about many things, during lockdown it was hard to stay focused. I think it was a fairly common feeling for people to struggle while working towards exhibitions during this time as there was the distinct possibility that the exhibition could be cancelled at any time. And for many it was the case, as it was for us.
For this reason I kept my approach light and experimental, needing to
escape into play rather than get bogged down with anything too serious.
Opening my mind to new ways of working.
None of the pieces are resolved to completion but instead opened my mind to many new ideas and possibilities. It was a very unusual situation that I would focus so much of my outlook on and in my own home but, strangely, this was the situation I found myself in and I am grateful to have had the unexpected opportunity. Also being limited by materials meant I was forced to keep things simple and to use what I had to hand.
Are you inspired?
I'm also wondering if this might be a good theme for running a workshop...
What do you think?
And please reference my blog if you use
any of my ideas in a direct way.
Reflecting
I think many of us have reflected on many things that were highlighted at this time in lockdown - one being that we don't actually need all that new stuff. We are just as satisfied making do with what we have and in fact enjoy the challenge of looking for different ways of doing things. Having limits can help focus the mind, or so I find.
I hope that we can venture forth with a much lighter,
and more considered, footprint on the planet.
Thanks to our NZ "Team of 5 million" for all working towards
the common goal of eliminating covid-19 from our shores.
We are now in Alert Level 1, as of 09.06.20, with NO active cases - Woohoo!
Proud, and grateful to be a Kiwi!
Thanks for visiting!
