Showing posts with label sale. Show all posts
Showing posts with label sale. Show all posts

Tuesday, 22 May 2018

Small Prints are go! Long live the Kahikatea!


"Forgotten Roots" by Toni Hartill


The "Small Print" exhibition is a traveling exhibition organised by PCANZ (Print Council Aotearoa New Zealand).  Members were invited to submit between 2 and 6 prints on quality A4 paper. Two of each artist's prints will hang at a time and will be replaced as they sell, and as the exhibition tours venues around New Zealand. Locations of venues include Gisborne, Hastings, Tauranga, Te Awamutu, Hutt Wellington, Nelson, Christchurch and Auckland. Visit the above link to keep up to date with the planned venues.


It was with both this exhibition, and another mini print exhibition, in mind, that I worked on my "30 days of block printing" challenge, as described in my previous blog post: "A year of self-imposed challenges."



Monoprint backgrounds by Toni Hartill


Assorted lino blocks by Toni Hartill



For subject matter I used the theme of yet another project I have been working on, which will culminate in a collaborative group installation and exhibition, "Forest Has the Blues", in July this year. With so many projects on the go my plan was to overlap the stages of ideas development and technique experiments for the best use of time and energy.



Small Prints by Toni Hartill



A key theme of "Forest Has the Blues" is to draw attention to the fragility and significance of forest remnants and the myriad of factors which threaten their continued existence. I chose to focus some of my attention on the disappearance of the, once extensive, Kahikatea forests across New Zealand, particularly in the Waikato and Waipu regions. Living in Auckland and traveling to visit family, both south to Tauranga, via the Waikato, and north to Whangarei, via Waipu I have always been drawn to the sorrowful wee huddles of these potentially beautiful, yet often bedraggled, remnants.


 Kahikatea remnants, State Highway 2 on the road south to Paeroa.






 Kahikatea remnants, State Highway 1 heading north, where it bypasses Waipu township.






Where have they all gone?

Great forests of Kahikatea once covered these low lying floodplains. With settlement of the land firstly by Maori and later by Europeans, areas were burnt off and cleared for food crops. Their location on lowland, fertile soils meant these "wastelands" were readily cleared to make way for productive farmland. Although unsuitable for naval or building applications, due to the softness of the wood, when refrigerated shipping was developed in 1882, there was a sudden demand for the timber due to the discovery that it's soft, pale, odourless wood was perfect for boxes as it didn't taint the food. And so, this once magnificent tree, a survivor of the Jurassic period, saw its further demise by being turned in to butter boxes!

Further decline of the remaining remnants occurs due to factors such as weeds, animal pests, insufficient fencing, and therefore protection from stock, and continued land development.

It is estimated that "more than 98% of the pre-European kahikatea forest has been lost nationwide." It is heartening to see, however, that there are a number of restoration initiatives across the country that would be well worth supporting. See links at the end of the page for more info.



Monoprinting and lino prints


A mixture of monoprint, lino cut and embossing 
these small prints are part of a larger series, (part of my "be prolific" goal) and each print is unique. I was interested in exploring interesting textures, layering effects with light over dark and misregistering of edges to get hot slivers of colour peeping through. I was also focused on embracing the imperfect and on the hunt for the happy accident (not always easy with my personality traits!)





"Once Were Giants"(detail) by Toni Hartill




"Small Prints"

These 5 prints are part of the PCANZ "Small Print" exhibition 
which is traveling to venues around New Zealand. 
Paper size: A4, print size approx:  8cm x 10-12cm


"All That Remains" by Toni Hartill



"Forgotten Roots" by Toni Hartill

"Forgotten Roots" (Detail) by Toni Hartill

 
"Once Were Giants" by Toni Hartill

"Once Were Giants" (Detail) by Toni Hartill

"Shelterbelt" by Toni Hartill

"The Last Stand" by Toni Hartill


For more information about our upcoming project "Forest has the Blues" 

visit our Event on facebook, 

keep updated with my posts on my 
and 

and/or stand by for a blog post or two, yet to be compiled, 
but oh so many photos of progress to share!



A lonely Kahikatea tree, Milford, NZ.

And finally, look more closely in your neighbourhood 
for the odd lonely Kahikatea tree. 

There's one in Milford on the corner of Taharoto Rd and Shakespeare Rd, in front of the retirement village. Apparently there were two trees here until fairly recently but now just this solitary one remains. I think it should have a fence around it with a sign to draw people's attention to its significance and history - it was there long before we were. I fear it will just whither away until it either falls down in a storm or gets cut down as an eye-sore. I HOPE NOT!






Note: All photographs are taken by myself.
Please remember to attribute me correctly should you share the information.


Bibliography & links for more information about Kahikatea:

https://www.waikatoregion.govt.nz/Environment/Natural-resources/Biodiversity/Forest-fragments/Kahikatea-forest-fragments/
http://www.projectkahikatea.net.nz/history.html
http://www.projectkahikatea.net.nz/ 

Restoration projects in action:
http://www.wildlands.co.nz/projects/Kahikatea-Restoration-Rotorua/27/
http://www.stuff.co.nz/nelson-mail/news/9341966/Kahikatea-forest-to-be-extended



Tuesday, 10 October 2017

Permanent Exhibition Space for Studio Printmakers at the Lake House, Takapuna



As members of Studio Printmakers Celia Walker and I are currently exhibiting a small selection of works in the Tindall Hallway at the Lake House Arts Centre in Takapuna until October 28th.

Studio Printmakers is a collective of practicing printmakers who share the use of the onsite print studio at the Lake House for working on personal projects and as a communal place to gather to exchange ideas, attend workshops, organize exhibitions and meet visiting local and international printmakers and tutors. To find more out about Studio Printmakers visit the website HERE. New members are always welcome.

The Lake House Arts Centre recently approached our members and offered us the use of the Tindall Hallway to use as a permanent exhibition space for revolving monthly exhibitions. This is not an opportunity that comes up often, if ever, so we were more than keen to leap at the invitation. A small group of us donned our painting clothes and gave the space a spruce up armed with sandpaper, filler and paint.


The Tindall Hallway gets a spruce up!

The first two printmakers to exhibit were Vivien Davimes and Lianne Timlin setting the bar high with their beautifully presented works.



Celia Walker and I were next. We have both hung a selection of past works. Celia’s profile and more of her work can be viewed on the Studio Printmakers website HERE.


Artworks by Celia Walker

Artworks by Toni Hartill (2 at left), and Celia Walker.


I chose to exhibit a selection of my rock pool images, created over the last 4 years and ranging from drypoint, to four-block woodcuts and my more recent linocuts. This is the only time these have been shown together and, I think, it is interesting to see how I have approached the same subject matter with different techniques for varying effects. Its also interesting to look back on "old" works.

“On display here is a series of works exploring rockpools, a favourite theme revisited over recent years. Inspired by the concept of falling “down the rabbit hole” as in Alice in Wonderland, nostalgic memories of rock pooling in childhood, and the engagement of a wandering imagination, Toni toys with the idea of what it might be like to enter into the miniature world of a rock pool. Are we, the viewer, looking in or looking out? Are we off on a new adventure or are we hiding from the world?”


Artworks by Toni Hartill (near).

We will take our work down on the 28th October and the next two printmakers will install their works. With over 30 current active Studio Printmakers members I’m sure this space will be put to good use and will be well worth stopping in to take a look at each time you are passing by. There is talk that we will use the space also to display collaborative, experimental and in-progress projects.


To find out more about the Lake House Arts Centre 
and where it is located visit their website HERE.


Please share this info so it becomes widely known 
as a place to pop in to see what’s happening next! 

And to support our printmakers. 

Works are for sale via the adjacent gallery shop.













Wednesday, 14 October 2015

Barrel Store 2015 - Print group show and the year so far.





The Barrel Store is an historic venue available for hire at the Corbans Estate Arts Centre in Auckland. It's a raw and rustic venue which brings with it a fair few challenges but it is also a large space which allows us to spread out and show a decent amount of work. It's a great chance for our print group, Waitakere Printer's Ink, to exhibit together and celebrate our enjoyment of printmaking as a group.






My focus this year has been to learn, develop and resolve skills and ideas through doing. And lots of. Two areas of concentrated effort have been exploring monoprinting and lino printing, neither of which I had much experience. 

Any works not sold at the show are still available to purchase. Simply message me with your details and I can contact you directly to answer any questions regarding prices and availability.

Monoprint series by Toni Hartill

MONOYPES & MONOPRINTS

These images were all achieved through inking up sheets of acetate to create layers of texture, hand cut paper stencils for the imagery and using ghost prints to achieve fine, delicate line work. They were all created from building up multiple layers and working intuitively, responding to what happens with each new development. 


"Submerged" series I - IX
Monoprints
by Toni Hartill


Kelp series I - IV
Monoprints
by Toni Hartill


This is a more painterly approach to printmaking and quite different to the thorough planning undertaken in, for example, my dry point images or in my lino prints. As I am previously a painter who is learning to print, I enjoy the freedom this way of working allows and this in turn is influencing how I am thinking about my painting techniques.


"Deep Blue Kelp" series I - VI
Monoprints
by Toni Hartill


Assorted prints by Toni Hartill


To add to my monoprinting knowledge and to try to push my ideas and skills further I participated in a term of evening workshops at the Browne School of Art taught by Alexis Neal. This was just the boost I needed. It provided the motivation to continue to work on pieces between sessions, experimenting and trialing different ways of working. I ended the term with about 15 works that I was very pleased with and a whole new concept for a body of work (still work in progress).


"Flotsam I"
Monoprint
by Toni Hartill
"Flotsam II"
Monoprint
by Toni Hartill


"Bedrock I"
Monoprint
by Toni Hartill

 This pair of prints is printed on 300gsm Hahnmuhler paper. Building up many, many layers using collagraph plates for textures, cut stencils, and transparent medium, the paper took on a leather-like quality which is quite delicious!


"Bedrock II"
Monoprint
by Toni Hartill

LINO PRINTS

As seen in earlier posts this year I have been exploring possibilities with lino with a goal of working towards creating an edition of prints for a portfolio to be sent to Portland. In the process of developing my lino printing skills I have produced a series of images along the way as I tweak and hone my final image for the portfolio. These are my largest linoprints so far with the lino block being A4 in size, printed onto A3 paper. I was really trying to capture the sense of movement and tension as the ecklonia is pushed and pulled by the surging sea. 



"Ecklonia"
Linoprint
by Toni Hartill



"Ecklonia"
Linoprint
by Toni Hartill




It was interesting to see how the image could be viewed from a variety of orientations. In the "Nocturnal Ecklonia" image I tried to capture a sense of the colours as seen underwater with the end result being very lustrous.



"Nocturnal Ecklonia"
Linoprint
by Toni Hartill


"Nocturnal Ecklonia"
Linoprint
by Toni Hartill



"Reef"
Monotype, linoprint
by Toni Hartill


"Reef"
Monotype, linoprint
by Toni Hartill


"Cove" "Sway","Refugia", "Holdfast"
Linoprints
by Toni Hartill

MIXED MEDIA

 These works just seemed to grow of their own accord. I was interested in the matrix of the print and how it could be altered, extended, overlaid and added to, a concept I'm keen to explore further,


Paper Sea I
Monoprint, collage, stitching
by Toni Hartill

Paper Sea II
Monoprint, relief, collage, stitching
by Toni Hartill


Assorted prints by Toni Hartill

Included in the show was a display of some of my collagraph plates with the intention of hopefully further engaging visitors in some of the print processes used and to give an idea of how much effort is involved in producing some of the works. I am tempted to create these as artworks in their own right.



Display of collagraph plates by Toni Hartill.



Thanks for visiting. Any feedback is welcome.