Saturday, 27 July 2013

100 Day Project - Half way!

 Day 50 Yeah-yah! 
Phew! Halfway there.... 

Participating in the 100 Day Project is, on the whole, an enjoyable and positive experience. Having to keep up to date and post things on-line helps to keep me going as it would be all too tempting to let it slide for all the usual reasons - too busy, too tired... Some days are definitely tougher than others and often the hardest thing is deciding what to draw. 

Some positives are I'm rediscovering the pleasure of just sitting quietly and drawing. I find it very relaxing and almost meditative. On "good days" I like to set a challenge. I'm gaining in confidence and I'm learning to trust that I will come up with some inspiration and I will draw something half reasonable.

HERE is the link to the previous post on this project.

Here a few of my drawings from the first 50 days.


Day 9 
Day 25
Day 33
Day 36
Day 37 
Day 39
Day 49






Friday, 26 July 2013

Knitted kete

Nikau
In New Zealand kete are traditionally baskets woven from harakeke or flax. They are beautiful, practical and come in a wide variety of shapes and sizes to suit many different purposes. In Maori tradition they feature in the creation myths as the three baskets of knowledge retrieved by the god Tane. One interpretation of what each basket represents is the basket of light is present knowledge, the basket of darkness is things unknown, and the basket of pursuit is the knowledge humans currently seek. 



Mamaku 
When picking up the knitting needles a couple of years ago, kete seemed (to me) like the perfect choice of something to knit. 

First and foremost they are beautiful, tactile objects. They can also tell a story of place and purpose through the materials they are made from, their shape and their form, and  they can represent the holding and sharing of knowledge. 

I wanted to create a series of kete that spoke of Aotearoa (New Zealand) and my place here. I was also interested in exploring the merging of cultural traditions of European hand-crafts, as passed down to me from my Grandmother, with the traditional Maori form of kete, which I have grown up with and have always loved. The size and scale of the kete is such that they all fit into the palm of your hand. The largest, Nikau is 11 x 12 cm while the smallest, the little green "woven" one at the bottom of the page is 5 x 7 cm. 




Pohutukawa

Pohutukawa II

Paua












Kitchenalia Drawing


Having recently joined The Upstairs Gallery as a member I took the opportunity to enter a drawing in their Members Exhibition "Draw". It was a lovely bonus to see a red dot on my number when I turned up at the opening. To think, I almost chickened out of entering it.



I wanted to do something a little different from my previous work and I also wanted to do something that was likely to be different from other people's entries. Media used are brown paper, gesso, soft graphite pencil and found collage papers including a piece of red gift wrap, a scrap from the yellow pages phone book, the inside of an envelope for the blue of the ladle, old graph paper and scraps of an old ledger page for the jar.


Thursday, 25 July 2013

Mangle update


The old 1908 Ewbank mangle is transforming into a printmaking press. 
VERY exciting! 

The old wooden rollers have been sleeved in steel tube, the rusty old mangle parts have been cleaned up, painted and reassembled and arms have been added to hold the runners for the bed. 
Next step is making wooden runners to support the bed, and ... getting a bed. I priced up a laminated plastic one but... woah, the price is very scary so I think I am going for a steel bed at a fraction of the cost. 
Don't worry, I'll put stoppers on it so I can't amputate my feet.

I ran a test drypoint print through it in the weekend and it's looking like it's going to be a little humdinger!