Monday, 22 July 2024

The "Sensing Belonging" collection, WAYMARKERS solo exhibition



This collection of artist's books was exhibited as part of my solo exhibition 

WAYMARKERS ~ Into the Unknown.

Please visit my earlier post to view a tour of the full exhibition.


 

Sensing Belonging I, II

Cascade structure.

Monoprinted assorted papers, handmade paper, voile, stitching.


Layers upon layers, seeking out the details, considering the impact of adjacent combinations of pattern and texture, endeavouring to find cohesion from an assortment of parts, and so I began to explore my family connection with the Taranaki region, as I embarked on my 6 week residency in Ōpunake.









Sensing Belonging Workbook

Stitched book.

Monoprinted assorted papers and voile, collage, stitching, drawing, ephemera.


A workbook of gathered parts, created in the process of working through ideas and concepts related to sensing a connection to place and revelling in an exploration of mark making and layering.
















Understory

Multi-layered hanging.

Monoprints, graphite drawing, hand-stitching, cutting. 


This panel has been pieced together from intricately reworked, monoprinted layers which had a previous life in a large installation about the demise of forest fragments. As I’m learning about the evolution of the Taranaki region, from impenetrable forest to pasture plains, it feels poignant to continue considering what once was and to bestow these fragments with a new purpose in the hope for the ongoing regeneration and protection of the landscapes of Aotearoa.






















False Hopes

Seedling specimen box.

Upcycled timber, repurposed glass droppers, monoprint, florist wire, sumi-e paper, ephemera.


Inspiration began with the glass droppers’ resemblance to test tubes. After much cogitating, this piece finally emerged when my interest was piqued by the botanical collections of nature prints at the Auckland Museum. Intriguingly life-like images were created using original plant specimens to develop the prints. Some images were so realistic it was as if the actual plants were fixed inside the books.

I set about creating my own collection of newly sprouted specimens. They are frozen in a moment in time, ghostly white. A snapshot of the promise of new life but not a replication of life.

SOLD












Haven

Repurposed board book, hand-printed papers, found ephemera, hand-stitching, voile, canvas, braid.


The joy of working with monoprinted surfaces, printing from natural and found materials and layering and composing pieces, all in a monotone of soft and soothing earthy tones, is summed up in the title.

Should I admit that the title is actually a label cut from the fabric wrapper of a set of new sheets? Well, why not! The label both sums up the feel of the book, for me, and it makes use of what is otherwise waste. A win on both scores!




















Traces I, II

Voile, stab-bound books.

Monoprinted voile, hand-stitching. 


Traces I, SOLD

Purchased by Auckland Libraries, Angela Morton Room Special Collection.










Finders Keepers

Woven kete with leaves.

Monoprinted papers, woven kete structure.


Tiny kete to keep treasured finds.












Finders Keepers ~ Making of


















Midnight Ramble

Concertina book.

Monoprinted paper, graphite embellishment. 

Presentation: Hang or free-standing.







Weather Worn

Cascade book.

Linocut, brown paper, tissue, fabric scraps, hand-stitching.

Presentation: Wall hung or display on a flat surface.

 

Created from sheets of upcycled brown packaging paper, chosen for its worn and tactile qualities, then printed with multiple textures, and layered, patched, collaged and embellished with frayed edges and stitching. This cascade book aims to capture the essence of an old blanket, comforter or quilt as might be used for family picnics or camping holidays. Chosen because it’s not precious, although, in becoming a well-worn holiday companion, it gathers memories and new meaning, and becomes ever more “precious” with each patch and year of wear and tear.














Medicine Box

Woven paper box with lid with handmade paper kawakawa leaf amulet.

Sumi-e paper, handmade paper leaves (from pulp), twisted paper cordage, kawakawa stem toggle, paint.

 

Growing up, the first treatment for ailments in our household was often not found in the pharmaceutical cupboard but in the garden. Just as she had been taught, my mum used a number of Māori medicine treatments, rongōa, to cure common complaints. Kawakawa is a plant that has many medicinal and culinary purposes and is a must-have in any garden.














Medicine Box ~ Making of























White Swatchbook

White blizzard book & woven kete.

Sumi-e paper, found white textures. 

SOLD








Translucence

White blizzard book with schoolbook wrapper & woven kete.

Vintage tracing paper (made from a roll of my grandfather's tracing paper).








Translucence ~ Making of

















To view all of the posts about my WAYMARKERS exhibition

click HERE 

or search under "Exhibitions & Events" 
in the right hand column.


















Thanks for visiting!










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