"Forest has the Blues" - installation day is nearly here!

Installation day(s) is nearly here - just 2 more sleeps!

Unsettlingly we seem to be all under control and ready to hang!

To read a bit of background about this 

ecological  print project, initiated by Celia Walker, please visit my earlier post here. 

A huge amount of work has been steadily gathering from the 7 artists involved: 

Celia Walker, 

Elle Anderson, 

Esther Hansen, 

Ina Arraoui, 

Kheang Ov, 

Nicola Ov 

and myself.

 Plus a "truck load" of incredible works by 

a group of Esther Hansen's year 13 students from Pukekohe High School.

Here is just a taster of some, not all of the work produced thus far.

A HUGE thank you to everyone involved for all 

of your hard work! 

Year 13 Students of Pukekohe High School

(Esther Hansen's students)

Assorted NZ native plants and weeds

Woodcut

Ina Arraoui

Nikau palm and Puriri leaves

Woodcut

Elle Anderson

Foxgloves - Copper sulphate etching, 

cyanotype fabric panels and paper cut outs.

 Celia Walker

Cyanotype panels, monoprints and cut outs.

Nicola Ov

Pohutukawa flowers and 3D kauri trees

Woodcut.

 

 

Kheang Ov

 Tree fern fronds and scotch thistles -Woodcut.

Esther Hansen

Gorse - Woodcut

Toni Hartill

Hounds tongue fern - roots and 3D leaves

Linocut

Toni Hartill

Mothplant- Linocut

(See my earlier post about the making of this linocut.)

Celia Walker

Celia had a sudden urge to create just a few more cyanotype panels.

With a little over a week to go Celia and I met to have a practice run 

to test possible combinations, compositions and the practicalities of hanging the works. 

Our nerves were somewhat soothed and it left us feeling super excited for the big install.

 Just one more...

and then... 1 week out, I had a last minute grand idea

to design and cut a large lino block of Blue Morning Glory to print in multiples, 

construct, and hang from the rafters! (The morning glory - not me).

Nothing like a time pressure to motivate me into action!

Well that WAS FUN!! 

Sparked some new ideas for another exhibition... hmmm...

Accompanying exhibition of works:

Aside from the installation we are each exhibiting works 

of a related theme about the fragility of our forest remnants.

Here's a few teasers!

Elle Anderson

Ina Arraoui

Nicola Ov

Toni Hartill

Toni Hartill

So, now the preps all done, I think... hopefully...

Its just a matter of loading up the car 

(and what a load it will be!)

Oh and the little matter of putting all this work together 

in a cohesive and stunning way...

wish us luck! (gulp)

"Forest has the Blues"

14 - 25 July, 2018

Opening event Saturday July 14th, 2 - 3.30pm.

at

Depot Artspace

28 Clarence Street,

Devonport,

Auckland, NZ.

See you there!

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"Print Matters - Works on Paper"- a selected exhibition

by Toni Hartill

 Friday sees the opening of this much anticipated PCANZ exhibition:

"Print Matters - Works on Paper" 

opens Friday 15 June, 2018  at 5.30pm

ArtPost Galleries, Hamilton, NZ.

Open June 15th - July 16th.

Selected by Mark Graver.

With my main focus this year being to work towards the "Forest has the Blues" print installation, which opens in less than a month's time, I have been working in series on a number of works on the theme of the disappearance of the Kahikatea forests in New Zealand. You can read more about the background of this theme in a previous blog post here. 

"Forgotten Roots" (detail) Linocut by Toni Hartill

When I work on an idea or theme I prefer to work in series, ie. on a number of works, either simultaneously or consecutively, to allow my ideas to develop more fully, to push my skills  to new levels and to go in directions I hadn't foreseen at the start. 

Rather than coming up with a completely new theme for Works on Paper, I tried to "let go" and produce a couple works that were more loose in their creation, breaking away from the colour palette of the previous works and being more spontaneous and loose. 

Multi-layered construction of linoprint works by Toni Hartill

I had been experimenting with an unusual format for my series, playing with a multi-layered approach, almost book-like in its construction (a whole new head-ache in itself. I'll write more about this in another blog.) 

Detail showing translucent paper overlay by Toni Hartill

For the sake of speed with a fast-approaching deadline, and to avoid hanging complications, I decided to keep the construction of these 2 works simpler but I still added in the use of tracing paper which, well, I'm totally not sure if that's a wise material choice but, I like the translucent quality and wanted to continue with the ghost-like layering so... hopefully it'll stand up to the humidity changes in the gallery... time will tell... gulp!)

(If anyone has suggestions for an alternate 

or more archival translucent paper I'd love to hear from you!)

Lino blocks by Toni Hartill

Lino prints - experimentation by Toni Hartill

Linocut by Toni Hartill

Etched lino by Toni Hartill

Etched lino by Toni Hartill

So, with a growing collection of lino blocks, including etched lino patterns and textures, I set to slinging the ink around and cranking the works through the press multiple times - I lost count how many times actually. Works like this are fun to produce as I work quickly and spontaneously, although tinged with a smattering of stress as to whether or not I'm going to mess it up at any moment!

Detail by Toni Hartill

Detail by Toni Hartill

Detail by Toni Hartill

I was very happy and honoured to hear my works were selected for this show and am looking forward to attending the talks and catching up with the other artists this weekend.

"Where Once a forest - Waipu and Waikato"
Linocut and monoprint by Toni Hartill

"Where Once a Forest"

"These works have been created as part of a series of works 

focusing on the disappearance of New Zealand’s Kahikatea forests, 

particularly in the Waikato and Waipu regions. 

It is reported that New Zealand has lost up to 98% of the original Kahikatea forests 

nationally and what remains is unlikely to ever recover 

due to its location on fertile farming land."

Exhibiting artists include:

Elle Anderson, Jacqueline Aust, Hilary K Batt-Ramage, Kathy Boyle,

Marion Bright, Ingrid Buedenbender, Wayne Churcher, Deborah Crowe, Sally-Ann Davies, Maggie Dawson, Julia Ellery, Jo Giddens, Esther Hansen, Diane Harries, Toni Hartill, Susanne Khouri, Catherine McDonald, Prue MacDougall, Emma McLellan, Stephanie Mclellan, Susan Marshall, Janice Meadows, Rosemary Mortimer, Antonia O’Mahony, Shin-Young Shin-young Park, Trevor Parker, Terri Reddish, Sue Roots, Carole Shepheard, Basia Smolnicki, Michaela Stoneman, Marci Tackett, Rosalie Thompson, Robyn Tillman, Celia Walker, Jill Webster, Christine Anne Wylie.

 Floor talks Saturday 16th June: 

11am - 12 noon at ArtsPost Galleries by "Print Matters" selector Mark Graver.

2pm at Waikato Museum, Te Whare Taonga o Waikato (next door) exhibition selector Carole Shepheard will give a talk about 'Boundless: Printmaking (further) beyond the frame.'

"Where Once a Forest" and "There Be Treasure" marquette 

Lino cut prints by Toni Hartill

 Endnote: I thought I was stepping away from my usual colour palette after working on previous works in this series, which are all more earthy in tone with some veering towards mauves and greys. Feeling quite chuffed with myself for supposedly breaking the mould, I took my works upstairs to package them. The first thing I noticed on seeing my marquette hanging on my pinboard- they almost perfectly matched the colours of my 3D rockpool "There be Treasure" which is hanging in the "Boundless" exhibition at the Waikato Museum gallery next door to ArtPost! 

aargh! 

I DO hate to be 

predictable and 

matchy-matchy!

Thanks for visiting!